Cambridge Admissions Essay -- Cambridge Admissions Essay

Cambridge Admissions EssayAs a child growing up in Communist China, I woke up every morning to the noise of Peoples Central Broadcasting Station from a large radio on the dresser and fell asleep every evening in the surreptitious cardiac murmur of Voices from America from a small radio by Grandpas pillow. By fourth grade, I figured out that the devil stations often reported the alike(p) events from opposite standpoints, using unlike words and tones, and thus projected contradictory interpretations onto the same events. Eager to share this revelation with my grandparents, I pointed out the differences between the two stations by singing their respective theme songs and by imitating the voices of their unexampledscasters. To my disappointment, they were much more alarmed than amused. Dont you talk nonsense in school, Grandma warned me. Youll bring us trouble. With hindsight, I have realized that her reproach was no more than an attempt to protect what little freedom we did have. B ack then, I knew only enough to suffer my mouth shut, but I could not shut my mind off to questions that sprang up the more I listened, questions that shattered my faith in what I was taught. corresponding a small window that opened unto anformer(a) world, the radio by Grandpas pillow made me re-examine my own world in a new light. More than the accumulation of knowledge, learning, for me, means to test my own beliefs and prejudices against other points of view and to understand the reasons behind our differences. The classes I have taken at Harvard in the arts and social sciences have shown me how to observe multiple layers of meaning in a given cultural situation, while campus journalism, internship with a documentary filmmaker, and summertime explorati... ..., philosophy and theater-as vigorous as make a film composed of ten or twenty video postcards, or an anthology of poetic fragments. Half will be exact observations of Cambridge-thoughts on and video clips of spots I wou ld frequent and of individuals I would see on a daily basis. The other half will be snapshots from travels to other parts of Europe-of places I may never see again and of strangers I will meet on the road. The most crucial criterion for inclusion in the anthology will be revelation-the moment captured has to be a window opening unto a different world, be it an idyllic countryside or warring battleground, an international metropolis or a private home, a civilization that perished centuries ago or a community that has just come to be. This will allow me to explore the different possibilities of sharing what I see and experience with those not there with me.